HARMONIC DISSONANCE

SYNCHRON(ICIT)Y

Can we capture the essence of human connectedness; the elusive sense of “oneness” that lies above and beyond the mere physical presence of another human body?

In HARMONIC DISSONANCE– SYNCHRON(ICIT)Y, Dikker + Oostrik (Suzanne Dikker, Neuroscientist at NYU & UU and Matthias Oostrik, Interactive media artist) collaborate with  Arnoud Traa (Sound designer and composer) and ICK to investigate human synchronicity and synchrony through artistic and scientific inquiry. Dancers and visitors wear EEG devices that measure their brainwaves while they interact with audio-visual reflections of their movements. This allows the research team to explore how motion synchrony (coordination, mirroring, unison, anticipation, resonance, play, etc.) may lead to a sense of togetherness, to synchronicity of the mind.

HARMONIC DISSONANCE - SYNCHRON(ICIT)Y is a performative art/science research based on fragments fromEmio Greco | Pieter C. Scholten’s repertoire. In the paradigm of the artistic signature of Emio Greco | Pieter C. Scholten, Synchronicity is defined as a “dual utopia”, an aim, an ideal, whereby a qualitative relation of being “one body” is aimed for, which is clearly distinguished from merely dancing in unison.

Decomposing synchrony and synchronicity:

HARMONIC DISSONANCE - SYNCHRON(ICIT)Y presents the findings from a three-day workshop at ICKAmsterdam in 2018, aimed at defining synchrony and decomposing it into its primary parts. These notions are used for further investigation and exploration into achieving the “dual utopia” of synchronicity.

 

                                                                  CONCEPTUAL CLOUD




The research in progress has been performed by ICK dancers Arad Inbar and Sedrig Verwoert at the opening event of “Doornburgh Buitenplaats voor Kunst en Wetenschap” on 21. September 2018 and during the BNM Fest on 18.December 2018. In 2019 a performance and workshop with Suzanne Dikker and Suzan Tunca took place in the context of the Rotterdam Arts & Sciences Lab (RASL) symposium Transdisiplinary Compositions – Contemporary Challenges. A presentation about this research was given at the ICK Fest 2019.


Harmonic Dissonance / Synchron(icit)y at AHK ID-Lab
17-21 February 2020.

During the first workshop in 2018 the relation between the dancers and the interactive technology was foregrounded. In 2019 the analysis of the experience of synchronicity between the dancers was explored by discerning and naming different movement intentions, such as distinguishing between moving together as “one body" and moving simultaneously. 

During this third research week at ID-Lab, we investigated the triangular relation between the dancers, de technology and the audience and on how experiences of synchrony and synchronicity are mirrored in the experience of the spectators.   

Daily classes DS/DM were given to all participants and one day was dedicated to presentations by participants (from among others Erasmus University College, ASCA UVA, VU Amsterdam) around the theme of synchrony/synchronicity.

A public presentation was given on 21.2. performed by ICK Next dancers Hiroki Nunogaki and Isaiah Wilson.

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